“… abundantly lyric, soothingly consonant works…True Concord's…vocal blend gilds the unaccompanied works especially with a halo of resonance.”
“…the orchestra acquits itself with distinction. The opening dawn chorus is notable for its hushed strings and attractively rustic, closely observed woodwinds, possibly emboldened by the conductor’s background as a flautist. … packaging is nicely done, with booklet-notes by Paul Griffiths in a typeface large enough to be read by those who invested in the orchestra’s Mahler first time round.”
Labels: FarInTheHeavens, Gramophone Magazine, MahlerTitan, Stephen Paulus, Thierry Fischer, True Concord Voices & Orchestra, Utah Symphony