"...I (Simeon Sandiford) asked (Tim) Crable, who was manning the console, to regale us with Britten’s The Young Person’s Guide to the Orchestra. This is the first track of Britten’s Orchestra, with the Kansas City Symphony conducted by Michael Stern, produced by David Frost (SACD/CD, Reference RR120). It won the 2011 Grammy for Best Surround Sound...
"There were seven of us in the room at the time. The others sat comfortably at or symmetrically to either side of the sweet spot. For the 17 minutes and nine seconds of the work, no one moved, fidgeted, coughed, or was otherwise distracted. We all became part of an exotic experience: recording engineer Prof. Keith de Osma Johnson’s perfect facsimile of what had transpired in the Community of Christ Auditorium, in Independence, Missouri, on June 5 and 6, 2009. What transpired was probably the best demonstration of the seating arrangements of the four families of instruments of a full symphony orchestra that I have experienced in more than 50 years of dedicated listening.
When Crable whispered, "Simeon, don’t you think that this recording is biased toward the left side of the soundstage?," I quickly replied, "Tim, emphasis is now being placed on those instruments in the orchestra that are located precisely there." Then came the fugue on the main theme, in which all four orchestral voices bellow in unison in the tumultuous climax. Jeff’s Music Vault shuddered, and Crable instantly became, once again, a happy, satisfied audiophile.
At the end, I calmly said, "So, folks, now you know why Sandiford has never won a Grammy!" Hans-Ole Vitus gently squeezed the hand of his charming wife, Brita. Charles Kim, marketing-team leader of WideaLab, scratched his head, muttering to himself in Korean. Howard Gladstone and Jeffrey W. Fritz sat motionless, grinning from ear to ear. In the ensuing conversation, words and phrases such as razor-sharp delineation, image specificity, palpability, realism, depth, visceral impact, transparency, cohesiveness, intertransient silence, and black background were instantly uttered..." — Simeon Sandiford, UltraAudio
Labels: Britten's Orchestra, Britten's Orchestra SACD, Review, Simeon Sandiford, UltraAudio